Tag Archives: Music Video

Liz Green – Bad Medicine

I’ve just completed a new music video, this time in stop motion!

The song is by the incredibly talented Liz Green, and is called ‘Bad Medicine’.

We were asked to put together an idea for the song a couple of months back. I had a craving to get my hands into a bit more paper animation, and thought it would suit Liz’s voice perfectly. I listened to the song on repeat until a story started to develop in my mind.

Almost all of Liz’s songs tell rather wonderful stories. She refers to them as adult fairy tales. Bad medicine was no exception, telling the story of a man neglected and worn down by the world. There was a sense of unfairness in the tone, and the lyric, “Every man wants more than he did before” which started the cogs turning. That sense of greed, and unfairness, coupled with the repeated line, “We’ve got no way out”, made it clear this would have to end in tragedy.

I wanted it to feel raw, and earthy, and above all, without end. I didn’t want to tell a story with a definite conclusion or happily ever after, but to show that pattern – a murder which would lead to another, and another…

To set the story in the Western frontier seemed a simple choice. It just fitted.

I joked that I wanted to make Deadwood in paper, and to some extent, that’s what I set about doing.

As usual with animations, it was a ridiculous schedule, without much room for sleep. There’s only so many times you can wish your hands where smaller before you have to question your own sanity. Talking to a cardboard tree as the sun came up was a definite low point, but I think it was worth it in the end. Hopefully you do too.

But of course you probably would, as you didn’t have to endure it all did you?

On that point however,  I’d like to give huge thanks to Glenn, Tobias, Clyde, Simon, Jason, Carly and Mr. K, who were all indispensable in keeping my sanity levels just about on the page.

Now here’s some clips of people messing about with paper for a while. Thanks for stopping by!

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The Leisure Society – Dust on the Dancefloor

A new music video!

I met The Leisure Society at End of the Road Festival this year. And a lovely group of people they are too.

Their single ‘Dust on the Dancefloor’ was soon to be released, and having seen my little animation for the festival, they asked me if I might be interested.

Of course I was.

Time was fairly tight, and the band were about to go on tour with Laura Marling, so it was very much a case of with working with what you’ve got. Luckily what they had was a couple of reels of Super 8 footage from their last summer tour.

So I came up with an idea of trying to lace imagery of them into the beams of projectors, with an old retainer type character trying to catalogue the footage.

I don’t think the band entirely knew what the outcome was going to be, and to be entirely honest I’m not sure that I was either. Nonetheless, Nick and the band were all extremely trusting, and just went with it.

Image

We shot the band in a disused office in Old Street, and then the rest in a converted dairy barn in Sussex. My father, David Brett, took the role of the projectionist; how handy it is to have a fine actor in the family.

 

The rest was literally smoke and mirrors.

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Clowning About

Advance warning to any coulrophobics out there: this post may contain clowns.

A whiletime ago I helped Leila Watts with her first music video. It was a hand drawn animation for the song ‘Staying True’ by David Thomas Broughton. You can watch it just below.

Anyway, this was all part of a plan to have a video made for each track on the album. As the deadline approached, no-one had gotten round to claiming the penultimate track on the record, so I stepped in. I’m doing a lot of editing right now, so the chance to get something new shot was rather appealing.

I came up with the most simple idea I could, something I usually struggle with, and called in two very good actors who wouldn’t mind making a scene in public. Leila got on board with costume and make-up, and Aidan took up second camera. Here’s what we ended up with:

Hope you enjoyed it, and if you’d like to see any of the other videos, head on over to David Thomas Broughton’s website, http://www.davidthomasbroughton.co.uk/

Until next time…

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Shooting High and Low

A couple of months ago I nipped up to Scotland to shoot a new music video for indie folk band The Low Anthem with End of the Road Films.

Back in 2009 I worked on the animated video for ‘Charlie Darwin’; building sets and doing the odd bit of animating. That video came out very nicely, so I was eager to work with the band again, this time directing along-side Glenn and Simon.

The song, ‘Boeing 737’ is the first single off their new album Smart Flesh, and is based around an imaginary meeting with Philippe Petit in a bar at the top of one of the Twin Towers.

After first listening to the track, Simon came up with the image of high-wire walkers pacing through trees, birdlike in their appearance, stalked by men with axes below. Ben liked the idea, but wanted the axe-men to have more of a backstory. We chatted about the idea a bit more, and then I went off to draw up a storyboard.

I thought it would be interesting to imagine a world where tight-rope walkers were a species -indigenous to certain areas – who were hunted and sold on to circuses. Our axe-men would be from a destitute circus, who had worked their previous walkers to death and decided to catch their own this time (hoping to cut out the hunter’s fee).

We got Leila Watts on board again as production designer, so she got straight to work on the bird costumes. Most of the circus men’s costumes were borrowed from a theatre production my parent’s had been working on, while other bits were also made by Leila – for example both clown ruffs were made by hand.

For this video we also brought in a wonderful DOP, Pablo Rojo Guadarrama. This was my first time not shooting my own work, and Pablo did an incredible job (far better than I ever could have), along with 1st and 2nd AC’s, Thor Eliasson and Poom Saiyavath.

If you ever get the chance to work with any of them I would seriously recommend it, and hope to do so myself very soon.

We also had the opportunity to shoot on the new RED – The Mysterium X. This is the same camera ‘The Social Network’ was shot on last year and it captures a ridiculous amount of image data. That meant a lot when it came to grading the video, but also allowed us to shoot later in the day as the light began to fade. In fact some of my favourite shots in the video were captured just before dusk, as the light turns silver.

Of course you can’t have a video about tight-rope walkers without… well… tight-rope walkers.

Fortunately, we had some of the best out there; Jade Kindar-Martin, and his wife Karine Mauffrey. Both had previously worked as part of Cirque du Soleil and Jade has broken Guiness World-Records on the high-wire. They were brilliant to work with, bravely facing the freezing Scottish weather in little more than leotards, and still giving beautiful performances.

For one shot we had planned to digitally add the falling figure of a walker, not imagining it would be possible to do in reality. That was until we discovered that Karine was in fact a professional stunt woman and would be up for doing in on a harness. Brilliant! One simple wire removal later and we have an absolutely stunning shot.

Okay, before I rattle on any more, here’s the final video. Have a look if you haven’t already, and if you have… maybe refresh your memory.



But what’s that I hear you ask? Who were those dashing circus men?

Well, from left to right; Charles Wemyss, Jimmy, Jason Lehmer, Tommy and Diego Cazzetta.

Diego and Jason have worked with us on videos before, building sets, and are part of the team behind End of the Road festival. We figured it was time to stop wasting their good looks behind the camera, and thrust them into the lime-light.

The woodland we shot in actually belongs to Charles’ family, while Jimmy and Tommy are the past and current generation of groundskeepers.

They all graciously agreed to try their hands at acting, and it turns out they’re pretty damned good at it. For such charming individuals, they manage to come together into a pretty nightmarish troupe.

One last thing before I go. I’m always impressed by how close to the initial storyboards our video’s come out. So here, mostly for my own entertainment, but maybe for yours too, it a short comparison of shots.

Okay.

That’s all.

Scram!

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New Low Anthem Video Almost Finished

I’ve been busy working on a new video for The Low Anthem these past weeks, and we’re nearly at the finish line.

A full post will follow, but for now, here’s a teaser image…

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Allo, Allo!

No! Don’t run! It’s not the police! It’s Allo Darlin’, a wonderful indie pop group from London!

And yes, I went there.

For the past couple of weeks I’ve been working on a new music video for these guys. Which has meant many sleepless nights in a disused office block. And at last, my work is complete.

The video features a whole lot of cardboard, and I’ve been working with the same team behind my last video, Efterklang’s ‘I Was Playing Drums’. That means I’ve been co-directing with Simon Taffe again, as well as getting Leila Watts on for costumes.

Before I say any more, have a look at the video on Vimeo, or just below:

Vodpod videos no longer available.

The shoot all started in Simon’s kitchen, which on Saturday evening looked something like this:

And by Sunday evening, was looking like this:

From there we moved to a disused office block to build the rest of the set and costumes. The main tunnel ended running about 20 meters long, and was built, for the most part, by Clyde Cronin. When it was finished the only way to get from one end to the other was to crawl, which meant some pretty painful knees all round.

Not least for Elizabeth, who had to do more crawling than anyone. I seem to have a habit of putting my lead stars through arduous conditions, and this shoot was no exception it seems. Luckily I think nostalgia served as a pretty good anaesthetic here.

On the day of the band we were running behind slightly, and the guys were brilliant at pitching in; building the final bit of the tunnel while I continued to throw boxes and Ukelele’s at Elizabeth.

The performance itself was filled with enough slapstick to fill a Laurel and Hardy sketch, with Heart’s tripping over left, right and centre. I don’t think the laughter on everyone’s faces could have been faked, and I’m really glad a lot of the atmosphere on set made it into the video.

I have to give an extra special thanks to Leila Watts and Owen Davey, who gave up far too much sleep for me and Simon. And a standard, but still very special thanks to everyone else who gave up their waking hours to make this one happen. I really think it was worth it, and I hope it makes people smile when they see it.

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Efterklang – I Was Playing Drums

Hello! It’s been a while I know, but I like to think we’re like old friends, who can always pick up where we left off… Right?

Well anyway, I’d just like to let you know what I’ve been up to.

Having finished my dissertation – and therefore my degree – I dove straight into another project with the guys from End of the Road festival, directing the new video for the wonderful band, Efterklang!

The song, ‘I Was Playing Drums’ is fantastic, and creating a video to go with it was an absolute joy.

After several days dragging an actor named Andrei Alen around in the mud, buying out the local knitting shop and scaring a dozen dog walkers, we had something we felt really rather proud of.

Have a look at the finished video here:

The masks were designed and made by the very talented Leila Watts, whose website can be found here.

That’s all for now, but I’ll be back with more soon.

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